Page 134 - Reading Nest - The Supportive Literacy Environment Handbook
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Storycrafting has four stages:
                      1.     tell me your story;
                      2.     I write it up exactly as told;
                      3.     when finished, I’ll read your story back to you;
                      4.     if you wish, you can change or correct it.

                      The child has the right to tell the story as they wish, without guidance or correction. The beauty
                      of the activity lies in that the child feels confidence in himself and that what he says  is
                      important. The importance is further emphasised by writing the story up. This enables the child
                      to see the connection between the speech and writing. Children are enchanted by seeing how
                      words they uttered turn into graphic characters on paper or a computer screen.

                      Children usually remember well what they said and when the adult reads the story in the third
                      stage, they will be told immediately where mistakes have occurred. In most cases, the story is
                      not changed much, children specify something, give a name to a main character or similar.

                      When storycrafting as a didactic method is introduced, the child’s copyright as a storyteller is
                      stressed. Permission must be obtained from the child for showing or publishing the story and
                      the child’s name should be included in the story. It also needs to be remembered that carrying
                      out research concerning children  and personal data protection may differ from  country to
                      country. Finnish researchers find it important to publish the child’s full name, in Estonian
                      student papers it is advised that real names are to be replaced by codes or pseudonyms. The
                      scribe and collector of children’s stories should be aware of the issue and explain what for and
                      how the collected materials would be used.

                      Storycrafting may entirely rely on the child (tells whatever they want to at that moment), or
                      have a thematic focus (a story on a particular theme is requested). Storycrafting may be
                      collective, in  a pair or group, so that children take turns to speak.  When introducing
                      storycrafting, everybody in a children’s group should get an opportunity to speak and they can
                      see how it is written. Inventors of the method remind its users: “The method is based on two
                      principal questions that the scribe should ask if they want to improve their listening skills.
                      These are: 1) what will I teach and give to children (wards, old people etc.) when I meet them?,
                      and 2) can I accept the other person’s present or story, and show gratitude?“  More information
                      on  storycrafting  can be found  on the University of Helsinki webpage:
                      (http://www.edu.helsinki. fi/lapsetkertovat/lapset/Sadutus/sadutus_viroksi.htm) and materials
                      collected   from    Estonian   children   “Children’s   story   basket“    is  found    at:
                      http://www.edu.helsinki.fi/
                      lapsetkertovat/Sadutus/EESTI_Laste_jutusalv.10.07.pdf.
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